Sunday, October 14, 2012

[T360.Ebook] Download Ebook The Human Machine (Dover Anatomy for Artists), by George B. Bridgman

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The Human Machine (Dover Anatomy for Artists), by George B. Bridgman

The Human Machine (Dover Anatomy for Artists), by George B. Bridgman



The Human Machine (Dover Anatomy for Artists), by George B. Bridgman

Download Ebook The Human Machine (Dover Anatomy for Artists), by George B. Bridgman

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The Human Machine (Dover Anatomy for Artists), by George B. Bridgman

What is the difference between art anatomy and Bridgman's concept of the human machine? The human machine is the body as not only a fixed framework but also as a complex work of art which moves and was designed to move.
In over 400 drawings, George B. Bridgman demonstrates the machine through the presentations which made him a gifted lecturer and teacher in his nearly fifty years at the Art Students League in New York and which gave life to drawings by his many students during those years. All skeletal and muscular systems are fully identified,�and all are shown in front, back, and side views.
The Human Machine begins with the framework of bones. In each section (head, neck, hand, arm, forearm, elbow, trunk, shoulder, back, scapular region, pelvis, hip, thigh, leg, knee, foot, and toe as well as the combinations of the major sections working together), George Bridgman starts with the skeletal components of the system; then he adds the muscles, shows the changes in the muscles as the body moves and, finally, shows the appearance of the bodily section in action. At the title implies, Bridgman, throughout, supplements his anatomical work with comparative drawings of simple machines. The anatomical approach to figure drawing is the foundation for the study of human form, and as in his other books on figure drawing, Bridgman's Life Drawing and The Book of a Hundred Hands, Bridgman's approach to the subject is important and unique. The Human Machine will give students and serious artists the conception of the human structure as the complex of beautiful machines it is, and will show how bone and muscle structures are solely responsible for our movements and for the�shapes which we, at various times, display.��

  • Sales Rank: #590944 in Books
  • Published on: 1972-06-01
  • Released on: 1972-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.23" h x .40" w x 6.53" l, .64 pounds
  • Binding: Paperback
  • 160 pages

From the Back Cover
What is the difference between art anatomy and Bridgman's concept of the human machine? The human machine is the body as not only a fixed framework but also as a complex work of art which moves and was designed to move.
In over 400 drawings, George B. Bridgman demonstrates the machine through the presentations which made him a gifted lecturer and teacher in his nearly fifty years at the Art Students League in New York and which gave life to drawings by his many students during those years. All skeletal and muscular systems are fully identified,�and all are shown in front, back, and side views.
The Human Machine begins with the framework of bones. In each section (head, neck, hand, arm, forearm, elbow, trunk, shoulder, back, scapular region, pelvis, hip, thigh, leg, knee, foot, and toe as well as the combinations of the major sections working together), George Bridgman starts with the skeletal components of the system; then he adds the muscles, shows the changes in the muscles as the body moves and, finally, shows the appearance of the bodily section in action. At the title implies, Bridgman, throughout, supplements his anatomical work with comparative drawings of simple machines. The anatomical approach to figure drawing is the foundation for the study of human form, and as in his other books on figure drawing, Bridgman's Life Drawing and The Book of a Hundred Hands, Bridgman's approach to the subject is important and unique. The Human Machine will give students and serious artists the conception of the human structure as the complex of beautiful machines it is, and will show how bone and muscle structures are solely responsible for our movements and for the�shapes which we, at various times, display. �
Unabridged republication of the 1939 edition. �

About the Author
Canadian artist George Brandt Bridgman (1865–1943) studied at the �cole des Beaux Arts in Paris and taught at New York City's Art Students League. Generations of students have learned the principles of anatomy and figure drawing from his books, which rank among Dover's most popular art instruction texts.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Helpful but Constructive Anatomy is much better
By S. Jenkins
I've been a fan of George Bridgman's books ever since I bought Constructive Anatomy, and followed it with the 100 hands book. I found the Human Machine and ordered it because I wanted to see more references in regards to how the body movies. I'm not severely disappointed but I suppose I was expecting a bit more. I was hoping for more full body references which would separate the book from Constructive Anatomy. Unfortunately it didn't deliver.

I did find the information in this book highly useful, but I have to agree that the print quality of the illustrations can be frustrating for some people. I am not bothered by it because I want something that is loose and interpretive, but explanatory. The problem with many art books is that they get so detailed in anatomy an artist trying to learn life drawing isn't learning to interpret the information but simply copies it.

You need illustrations like this to help your juices flow and act more creatively. If everything is drawn out for you in explicit detail how do you learn to fill in the gaps and experiment? That is why I found Bridgman's books more valuable to me than the super detailed anatomy books. His methods of construction have helped me out greatly in learning to flesh out my figures from stick forms.

The other value of this book is it's price. Why waste 30 dollars or more when these books are usually 10 dollars or less? My other book is becoming worn from extreme use, but at least I know I can easily replace the book at a low cost!

0 of 0 people found the following review helpful.
Excellent resource for artists
By Renee T.
A classical education in figure drawing. The best

0 of 2 people found the following review helpful.
Its what I expected
By CaffineFreeJAVA
In reality, this book didn't teach me anything I didn't know already. The illustrations may be handy for someone who hasn't had much experience with body-mechanics, bending, joints, etc. This book was neither outstanding nor worthless, thus my bland 3 star review...

See all 27 customer reviews...

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