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From the author of the acclaimed Dinah Washington biography Queen comes this complete account of the triumphs and difficulties of the brilliant and high-tempered Nina Simone. Her distinctive voice and music occupy a singular place in the canon of American song.
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Tapping into newly unearthed material—including stories of family and career—Nadine Cohodas gives us a luminous portrait of the singer who was born Eunice Waymon in Tryon, North Carolina, in 1933, one of eight children in a proud black family. We see her as a prodigiously talented child who is trained in classical piano through the charitable auspices of a local white woman. We witness her devastating disappointment when she is rejected by the Curtis Institute of Music—a dream deferred that would forever shape her self-image as well as her music. Yet by 1959—now calling herself Nina Simone—she had sung New York City’s venerable Town Hall and was on her way.
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As we watch Simone’s exciting rise to stardom, Cohodas expertly weaves in the central factors of her life and career: her unique and provocative relationship with her audiences (she would “shush” them angrily; as a classically trained musician, she didn’t believe in cabaret chat); her involvement in and contributions to the civil rights movement; her two marriages, including one of brief family contentment with police detective Andy Stroud, with whom she had her daughter, Lisa; the alienation from the United States that drove her to live abroad. Alongside these threads runs a darker one: Nina’s increasing and sometimes baffling outbursts of rage and pain and her lifelong struggle to overcome a deep sense of personal injustice, which persisted even as she won international renown.
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Princess Noire is a fascinating story, well told and thoroughly documented with intimate photos—a treatment that captures the passions of Nina’s life.
- Sales Rank: #1115306 in Books
- Published on: 2010-02-02
- Released on: 2010-02-02
- Original language: English
- Number of items: 1
- Dimensions: 9.55" h x 1.40" w x 6.45" l, 1.83 pounds
- Binding: Hardcover
- 464 pages
From Publishers Weekly
Cohodas follows her biography of Dinah Washington (Queen) with that of another prominent African-American jazz singer—although Nina Simone would bristle at that label, insisting from the very start of her career that her music was grounded in the classical. (Eunice Waymon only began performing in nightclubs as Nina Simone after a failed application to the Curtis Institute of Music.) If Cohodas is respectful of Simone's legacy, particularly the impact of songs like Mississippi Goddam and Young, Gifted and Black on the civil rights movement, she's also forthright about Simone's contentious relationship with audiences and critics, and the possible mental illness underpinning that turmoil. It seems as if every one of Simone's onstage outbursts is recounted, along with every review describing her as a very angry young woman or wishing she'd stop playing protest songs. One of the few areas in which Cohodas shows full deference to her subject is in brushing off rumors of lesbian relationships, although a passing comment that Simone was inexorably drawn to the playwright Lorraine Hansberry raises questions. For the most part, though, Simone's complex personality—arrogance and brilliance in equal measure—receives a long-overdue elaboration. B&w illus. throughout. (Feb. 2)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Born in 1933, Eunice Waymon was a musical prodigy, amazing North Carolina churchgoers with her piano playing beginning at age four. Serious, proud, and hardworking, she dreamed of becoming a classical pianist and only began performing her unique blend of classical, gospel, jazz, and pop when she took a nightclub gig to earn money for graduate school. Eunice’s spontaneous invention of her alter ego, Nina Simone, is evidence of her formidable capacity for improvisation, the lifeblood of her world-altering music and the skill that helped her survive the bloody turmoil of the civil-rights era. Cohodas infuses every scene with electrifying detail and penetrating insights into Simone’s struggles as an African American musician of phenomenal talent and exalted ambition. Cohodas provides gripping descriptions of Simone’s indelible music along with profoundly moving accounts of her commanding, increasingly militant, and eventually downright bizarre stage presence. From her regal demeanor to her friendships with James Baldwin and Lorraine Hansberry, courageous activism, and the tragedies that pushed Simone into mental illness, Cohodas chronicles every turn with precision and empathy. The result is a wrenching story of how racism can undermine even the most ascendant life, and a dramatic portrait of an uncompromising, audacious, and beleaguered musical genius of conscience. --Donna Seaman
Review
Queen: The Life and Music of Dinah Washington
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“Nadine Cohodas’s superb biography restores the luster of Washington’s crown, detailing a life lived not always wisely but certainly with vigor.”
—The Boston Globe
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“Vital . . . Copious reporting [makes] Queen essential reading.”
—The Washington Post Book World
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“Rises above the limitations of the usual star bio.”
—Chicago Tribune
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“Enthralling . . . Cohodas has done her homework . . . Her biography of this peculiarly modern performer is essential reading for people interested in pop culture.”
—San Francisco Chronicle
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“Cohodas vividly portrays the troubled singer, often allowing Washington to speak for herself.”
—Pittsburgh Post-Gazette
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Spinning Blues into Gold
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“Cohodas’s absorbing history is more than a story of the proto-rock era . . . It’s a captivating American story of improvisation at many levels.”
—The Wall Street Journal
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“Combines the intelligence and conciseness of a political reporter and the contagious enthusiasm of a dyed-in-the-wool music fan.”
—Billboard
Most helpful customer reviews
33 of 35 people found the following review helpful.
A Worthwile Biography, But Not The Best
By David Penn
Nadine Cohodas' biography of Nina Simone is well researched, yet I find that the author paints an untrue picture of events that supposedly took place during some of Nina Simone's concert performances. Much is made of her erratic behaviour on stage, in one instance in a Billie Holiday Tribute that Simone took part in at the Hollywood Bowl. I have an audio tape of her complete performance. It was one of Nina's very greatest performances, yet the reader is led to belive that her appearance was a disaster. Cohoda's brief review of Simone's 1976 Montreux Jazz Festival appearance (which exists on DVD) makes one wonder if the author actually watched the entire performance. Too little attention is made of what made Nina Simone such an important and original artist. Her prolific recording activity and filmed performances should have been given more attention. I found another biography, "Nina Simone: Break Down and Let It All Out" by Sylvia Hampton, David Nathan, and Lisa Simone Kelly to be a more intersting read. This book does contain some fascinating photographs, though.
23 of 26 people found the following review helpful.
A TRUE ARTIST UNDER APPRECIATED
By Wooley in PSL
Nina Simone has often been an enigmatic figure. A tremendously talented singer/musician and a recognized figure in the Civil Rights Movement, she often showed a troubling personality. Nadine Cohodas has done a wonderful job giving us a biography of this prominent lady. Born Eunice Waymon in North Carolina, when she was very young she started showing great musical talent. Usually she is classified as a jazz singer but Simone hated classifications. Her failure to be selected in to a prestigious musical school for being black set a feeling that would follower in her live. Now singing as Nina Simone in New York she became a huge performer and would enter into the world of the black intelligentsia. Soon her passion was the Civil rights Movement. But this book shouts out at the problems she had in life. Often she was perceived as having bad behavior with her audiences, and even friends. Turns out she was suffering from bipolar disorders and these were hidden from almost everyone until after her death. Cohodas does a good job writing about her life and giving us background on her mental issues.
5 of 5 people found the following review helpful.
The High Priestess of Soul
By G. E. Harrison
I became a fan of Nina Simone as a teenager in the 60s after seeing her in concert on TV, much to the puzzlement of my friends who considered her 'uncool'. However, I've remained a fan although I never saw her live - I did have the chance to see her at the Bishopstock Festival in Devon UK in 2001 but by that time her voice had gone and I chose not to attend that night and to remember her through her records. There are several biographies of Nina, including an autobiography, which all seem to have their supporters and also their critics, this is the latest and so can draw on these previous memoirs together with fresh interviews to give a comprehensive overview of this unique artist. She wasn't really a jazz singer, a blues singer, a folk singer, a soul singer, a protest singer, a pop singer, a cabaret singer, a show singer or a classical pianist - although her work contained elements of all these genres, combined into Nina's own unclassifiable style.
When first skimming through the book I was a bit surprised that her performing career only began from pages 60-odd onwards but these early pages dealing with the lives of her parents and family and her own young life give an excellent context to her later life and also to the place of black people in America at that time. Nina emerges as a determined and very focussed child, who was opinionated and knew her place in the world from an early age (a foretaste of the diva she was to become in later years). Even in her earliest performances she didn't put up with what she considered disrespect but there are also instances of unreasonable behaviour even in her 20s which must have been early indications of the bipolar disorder that she was diagnosed with in later life.
The book charts her career progressing from small club dates to international concert appearances, a constantly changing procession of backing musicians, her recording sessions and her fight to get royalties from these records. It also notes Nina's gradual involvement with the civil rights movement and her increasing militancy and sympathy with black power. In line with all these the book also catalogues increasing bad behaviour both on stage and off and although some have criticised other books for focussing on this behaviour unfortunately it was unquestionably a feature of many Nina Simone performances in her later years. However, the book also details how many musicians, promoters and friends remained loyal despite the bad treatment they sometimes received from her and also how audiences still greeted her ecstatically despite late appearances, erratic on stage behaviour and failing vocal and musical powers.
I found Nadine Cohodas' book a good, very objective study of the life of a truly unique artist. I've previously read Nadine's 'Spinning Blues Into Gold' - the story of Chess Records - which I also found very interesting but like this book strangely 'cold' - it was so objective that you couldn't tell if she was fan of Miss Simone or hated her. There are some excellent photographs of Nina throughout the book but these are printed on the same pages as the text rather than separate glossy pages, which no doubt keeps costs down but does reduce the quality of the images. The book ends with a comprehensive index, a bibliography, a (very) short list of CD/DVD credits, acknowledgements and 40 pages of notes. The notes contain several very interesting snippets together with the page numbers that they relate to but at the back of the book they are completely isolated from the text - I felt it would have been better to include the notes at the foot of the relevant pages or to annotate the text with reference numbers to link with the notes.
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